Students’ artwork hits a high note

by Meredith McGovern, Arts and Culture Collection Manager

What do you get when you cross a lone fishing boat, a team of galloping horses, a twirling ballerina and two giraffes with plumed Venetian masks? Symphony in Color at the Indiana State Museum!

Here’s how the annual art contest — administered by volunteers from the Junior Group of the Women’s Committee of the Indianapolis Symphony Orchestra — works: Indiana students in grades one through six listen to classical music performed by the ISO and create artwork to interpret what they hear. The young artists use a variety of material and techniques — acrylic, watercolor, paper, glitter, collage and batik, to name a few — to represent crashing symbols, surging chords, lilting flutes, high-pitched strings and lively horns. From the thousands of pieces of art submitted, 100 finalists and 10 honorable mentions are selected for exhibition at the museum.

Through May 5, you are invited to stroll the gallery — watch and listen as the students’ creations leap off the page!

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Dialogue Blog: Camp Favorites

by Katy Creagh, School Programs Developer, and Eric Todd, Gallery Programming Manager

041113_katy_ericKATY: Eric, I am so excited! My job has changed and I am now the Indiana State Museum Summer Camp Director. Now, I know you have a special place in your heart for Summer Camps, so I thought it might be fun to discuss our Top 5 favorite things about camp.

ERIC: If there are two things I love, they are camp and lists. So sure, I’ll play along. 

KATY: Great, I’ll go first.  At number five, I have recess. You get to spend time outside playing games and enjoying the summer weather. It has all the perks of recess when you were in elementary school.

ERIC: You may have just stolen one of mine, but that is fine. My fifth favorite thing about summer camp is the free camp t-shirt. Every time I get one, that’s one more day before I have to do laundry.

KATY: Are you sure it’s just one more day? For number four, I went with looking for fossils. That includes microfossils in Diggin’ Indiana and Exploring Nature Camps and then sifting dirt in Paleontology II. It’s something I’ve never experienced before coming to the museum, and it’s fun to think that I’m doing the same work that REAL scientists and paleontologists do.

ERIC: That is cool, I agree. My number four is making things. You might call them crafts, but it’s really more than that. By summer’s end my desk is always filled with awesome new decorations that also serve as reminders of the fun I had.

KATY: Perfect transition, my number three is also crafty—weaving. You get to try weaving in two different camps (Indiana Artists and History Alive!) and make my favorite, “mug rugs.”

ERIC: I would normally give you a hard time about “mug rugs,” but I do have one at my desk that I use daily. My number three choice is a repeat of one of yours, but you’ll notice I placed it a bit higher on my list. Recess, lunch break and snack time. I have so much fun in those moments! I loved recess as a kid, but now I really appreciate it. And, if my boss is reading this, Susan — what are your thoughts on instituting museum recess?

KATY: I’d vote “yes” for that one. Alright, now we’re getting down to the big ones. At number two on my list, I have all things crafting. See how high it is on my list compared to yours? From the end of the week presentations to making a mosaic in Diggin’ Indiana camp … I love all the projects and crafts we get to make.  

ERIC: I am shocked that is not your number one, frankly, especially with the new Indiana Fashion Runway Camp which I imagine will let you craft around the clock. My number two is behind-the-scenes tours. As you know, even as museum employees we don’t have access to everything in the museum, but during camp, we get to go places and see things that most visitors — and staff — never see.

KATY: Nice choice. But now the big one. My number one favorite thing about summer camp at the Indiana State Museum is … the campers! Spending time with old friends and making new ones — I get to play games and learn new things about Indiana and don’t have to sit at my desk all day … I get to hang out with cool people all day which is way better.

ERIC: Great minds think alike — my number one choice is also the people. I always meet the coolest people in summer camp. From wildlife experts (with their animals) to Abraham Lincoln himself, you never know who you’ll see stopping by an Indiana State Museum camp. Oh, and the campers and counselors are pretty cool, too!

Wherein the new Limberlost Visitor Center is chronicled in vintage style.

by Curt Burnette, Naturalist/Program Developer at the Limberlost State Historic Site
(written in the style of newspaper articles of Gene Stratton-Porter’s Geneva years)

To the gratification of all Genevaites and other local citizens of the surrounding environs who have been faithful observers to its construction while eagerly awaiting its completion, Geneva’s delightful new attraction, the Limberlost Visitor Center, is now open. This beautiful 4,000 square foot building is clad with Alaskan cedar, but not in the usual lap-siding pattern of which we all are so well acquainted. Instead, these quite attractive boards are arranged in a West Coast style known as “rain screen.” A gap between and behind each board permits them to dry in a most efficient manner after each rainfall and therefore impart to them a longer life. The Limberlost State Historic Site is the first location in the fine state of Indiana to have a structure with this particular type of rain screen design. The rustic golden Alaskan cedar marvelously compliments the red cedar logs covering the Limberlost Cabin where local author and celebrity Mrs. Gene Stratton-Porter and her husband, Mr. Charles Porter, himself a local businessman and citizen of note, resided so many years ago.

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The interior of this building contains three noteworthy areas. Visitors enter the central area through a wonderful glass foyer where handicap-accessible restrooms and drinking fountains await. Beyond the foyer lies a grand and open room with a splendid cathedral-style ceiling. Within is housed the Friends of the Limberlost gift retail establishment and several enlightening exhibitions about Mrs. Porter, her career, her family and her beloved Limberlost. To the rear of this lovely hall, a small bird-viewing room is discreetly placed for the pleasure of the ornithologically-minded.

The western end of the Center houses a fine storeroom, office facilities for the illustrious Historic Site staff, and a classroom/multi-purpose room appointed with audio-visual equipment of the most updated capabilities. This pleasant classroom can be cleverly arranged with chairs and tables for programs, presentations, meetings and gatherings of all manner and purpose. The eastern end contains an office for the sturdy and dedicated Nature Preserves staff, a kitchenette, a room housing furnaces and other devices of mechanical nature, plus another, albeit smaller, multi-purpose room.

Limberlost staff undertook the arduous but satisfying move into the new building in mid-January and threw open its doors to the public by the end of the month. A dedication and grand opening ceremony is scheduled for Saturday, April 27 at 11 a.m. This festivity will truly be a community-wide celebration as our new attraction will not only welcome visitors to the Historic Site but also to the area at large. A bodacious brochure rack in the grand hall abounds with information about Geneva, Berne, Adams and Jay counties, and the Hoosier State as a recreational and tourist destination.

The Visitor Center is the latest step in the most worthy effort to restore and promote the Land of the Limberlost. Mrs. Porter’s writings made the Limberlost famous around the world. The heyday of her immense popularity and the magnificence of the mighty swamp are gone now, but the Limberlost Cabin remains, her books are still read and admired, and the Limberlost Nature Preserves still provide access to the wonders of nature she so enjoyed. The Limberlost Visitor Center is the gateway into her world and is quite deserving of a visit. So govern yourself accordingly.

Lovina Streight: Portrait Conserved, Story Preserved

 by Meredith McGovern, Arts and Culture Collection Manager

It took a village — or so it seemed — to conserve and display Lovina Streight, an 1880 painting of an Indianapolis woman who fearlessly marched with her husband, Colonel Abel Streight, and his troops during the Civil War, nursed wounded soldiers on battlefields, and whipped a pistol from beneath her skirt to escape the Confederate enemy. After 130 years and multiple transfers from Mrs. Streight’s parlor to the Statehouse to the Indiana State Museum, the brittle canvas had torn in six places. Patches applied to hold the torn edges together bulged and puckered from misalignment; previous efforts to replace flaked paint resulted in pools on the surface. The portrait was not suitable for display.

Thanks to a grant through the Lockerbie Square Chapter of The Questers, an organization dedicated to heritage preservation, the painting was conserved in the fall of 2012 by Michael Ruzga. The patches were replaced, the pools of paint reduced, and layers of dirt removed from the canvas surface. Details that were previously undetectable now popped: the delicate diamonds glittering in Mrs. Streight’s earrings; her cameo ring; the swirling scrollwork in the rug; and the artist’s signature. The portrait was again ready to tell the story of the bold and spirited Lovina Streight.

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In a stroke of serendipity, just a couple weeks after I picked up Lovina Streight from the conservator, the tour coordinator at the Indiana Statehouse asked to borrow the portrait for programming. It took a lot of synchronization, but we were able to display it on the fourth floor of the Capitol with the help of staff from the museum’s exhibition, collections, conservation and new media departments; a driver from the Indiana Commission on Public Records who transported the painting; and a crew from the Indiana Department of Administration Facilities Management who helped hoist the 8-foot, 80-pound portrait high into the air and secure it to the wall. Many thanks to all involved, particularly The Questers for helping make this project possible! Watch this video to learn more about Lovina Streight and the conservation project.

Visit the Indiana Statehouse to see the newly-conserved portrait on display until August 2013.

Polishing silver at the museum

by Gaby Kienitz, Head Conservator

In period dramas like Downton Abbey, footmen or maids get the dreadful task of polishing the silver. Culbertson Mansion doesn’t have staff hidden in the basement ready to polish the silver; instead, that work is done in the Conservation Lab at the Indiana State Museum. Here in the Conservation Lab, we don’t think of polishing silver objects as drudgery, because we don’t have to polish the same object more than once every 10 years. How do we get away with it? We have a secret ingredient.

Tarnished silver: a punishment for footmen since time began.

Tarnished silver: a punishment for footmen since time began.

Removing the layers of corrosion on silver objects is entirely done by hand with just de-ionized water, precipitated chalk and small pieces of cotton wadding. Once the corrosion layers are removed, the object is carefully rinsed and dried. All of that is pretty much in keeping with Downton-style polishing. The trick up our sleeve is to apply a lacquer coating onto the freshly polished silver. The lacquer prevents a new layer of corrosion from forming on the silver, sealing the shiny silver from things in the environment that might cause corrosion to form again. Unfortunately, the coating isn’t

With all those stubborn nooks and crannies, we’re lucky it won’t need our attention again for a decade.

With all those stubborn nooks and crannies, we’re lucky it won’t need our attention again for a decade.

strong enough to withstand normal household use; it’s meant for objects that get the “white glove” treatment at museums and historic sites. Our most recent polishing project was this lovely silver coffee urn, which took three pairs of hands and many hours to complete.

So, bring out your silver, try on your British accent, and keep regularly polishing at home. Look for the coffee urn to make its appearance at Culbertson Mansion State Historic Site.

Hoosiers and the Academy Awards®

by Katherine Gould, Associate Curator of Cultural History

When you think of Hollywood and the Academy Awards® you naturally think of Indiana, right? Well, you should. Hoosiers have been making an impact on the silver screen from the earliest days of motion pictures. Some of the most popular and celebrated films to come out of Hollywood proudly feature the mark of a Hoosier. Some you may be aware of — James Dean, Steve McQueen, Hoagy Carmichael, Sydney Pollack. While you may be less familiar with some of the others.

Let’s start at the beginning. The Academy of Motion Picture Arts and Sciences presented their first awards at the Hollywood Roosevelt Hotel on May 16, 1929. It was there that Louise Dresser of Evansville lost out to Janet Gaynor for the award for Best Actress in a Leading Role for her performance in A Ship Comes In. And I’m sure everyone has seen the Christmas classic It’s a Wonderful Life at least once in their lifetime. If so, then you’re familiar with Valparaiso-native Beulah Bondi who played Ma Bailey. A graduate of Valparaiso University, she went on to earn nominations for Best Supporting Actress in Gorgeous Hussy (1936) and Of Human Hearts (1938).

And what about that Easter staple The Ten Commandments? Queen Nefertiti was played by Michigan City’s own Anne Baxter. A granddaughter of Frank Lloyd Wright, she had her breakout role starring in the 1942 film adaptation of Indianapolis-native Booth Tarkington’s, The Magnificent Ambersons directed by Orson Welles. She later won Best Supporting Actress for her role in The Razor’s Edge (1946), a film which also featured a Best Supporting Actor-winning performance by Indianapolis-native Clifton Webb. Baxter would again be nominated for Best Actress in All About Eve (1950), a film which also received a Best Art Direction nomination for Kokomo’s George Davis. A bit of a film legend, Mr. Davis received 19 Academy Award nominations throughout his career for his work on such classics as The Robe (winner, 1953), Love is a Many-Splendored Thing (1955), The Diary of Anne Frank (winner, 1959), Mutiny on the Bounty (1962), and Cimarron (1960).

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Now, Steve McQueen isn’t one of the lesser-known Hoosiers in Hollywood, but are you familiar with director and producer Robert Wise? The Winchester-native directed McQueen in The Sand Pebbles (1966), for which he also received a Best Picture nomination as the producer of the film. And the year before, he paired up with cinematographer Ted McCord of Sullivan County for the classic The Sound of Music (1965), for which Wise won Best Director and Best Picture. The double win was also a feat Wise had achieved earlier for a little picture called West Side Story (1961). Now McCord, too, was no stranger to working with fellow Hoosiers: in 1955 he teamed up with screenwriter and Evansville-native Paul Osborn and a then-unknown actor from Fairmont named James Dean for the 1955 epic East of Eden. Both Dean and Osborn received nominations for their work on that now-classic film.

Behind the scenes at Lanier Mansion

by Anne Fairchild, Eastern Region Program Manager

To me, the most interesting thing about an old house isn’t the fancy parlors, or how the dining room is decorated, but rather the cool little details that are easily missed. You know, places such as a space in the basement that once held ice, how a closet is designed or a specialty room modern buildings would never have. 

The Lanier Mansion, considered the “Crown Jewel” of Madison’s Historic District, is full of unique features throughout the 13,500 sq. feet home —10,000 of which the family lived in — that are easliy overlooked with a general visit to the site. For those who share that passion of exploring nooks and crannies, Lanier Mansion State Historic Site now offers a Behind-the-Scenes Tour on the second Saturday of each month at 4 p.m. The cost is $10 per person and we highly suggest making reservations by calling 812.273.0556. 

Tour guide Bill Lackner is waiting to take you on a behind-the-scenes adventure at Lanier Mansion!

Tour guide Bill Lackner is waiting to take you on a behind-the-scenes adventure at Lanier Mansion!

Bill Lackner, our main tour guide at Lanier Mansion — and winner of the 2012 Madison/Jefferson County Hospitality Award — offers some insights about this tour.  

Anne: What is your favorite Behind-the-Scenes part of the mansion?

Bill: Seeing the structural components of the house. A great example of this is found in the floor joists. The dimensions of the wood are many times larger and closer together than modern specifications demand. The remnants of bell signaling system. The modern HVAC and electrical systems are hidden from view and do not take away from the authentic appearance of the rooms. Also, be sure to take a closer look at the thick brick walls separating the rooms. Their thickness was determined more by financial ability than structural needs.

Anne: Why have the Behind-the-Scenes Tours been so popular?

Bill: People often wonder, “what is behind that door?” Now you can finally find out! People also like to have the inside story and be let in on some secrets.

Anne: How long has Lanier Mansion been offering these tours?

Bill: They began last year.

A brighter corner of the Lanier basement.

A brighter corner of the Lanier basement.

Anne: What is the #1 thing you think people ought to know about the mansion?

Bill: I actually have two things! First, it’s a showpiece. The building was meant to be dazzling in its day, and it still is today. It showed the wealth of the owner and demonstrated the ability of the architect and builder, Francis Costigan from Baltimore. This was Costigan’s first big job. After Lanier Mansion, Costigan went on to bigger jobs, and eventually moved to Indianapolis.

Second, its quality. In 1844, Madison was considered the Far West, and people often had to make do with available materials and workers. Lanier’s building materials, strength, beauty and craftsmanship is the same scale of quality you might find in more established Eastern cities such as Baltimore. For its time, it may have been the most significant home west of the Allegheny Mountains.

Anne: What should people know if they are interested in going on this tour? 

Bill: It is more physically demanding than the regular tour. There are more stairs, steeper stairs and fewer handrails. The tour covers all levels of the house, including the basement with its uneven dirt floor. It also takes about twice as long as a regular tour. In the winter, it is dark by the time the tour is complete. So if you have a flash light, bring it with you.